BA Music | Early Music Medieval – Renaissance instrument/voice

Hochschule für Musik Basel

A diverse and international community of lecturers and students awaits you at the Schola Cantorum Basiliensis. The Medieval programme is the world’s only full-time Bachelor’s programme of its kind. It combines technical support on instruments from the Middle Ages and the early Renaissance with contemporary vocal techniques. The programme offers a specialisation in repertoire studies and historical improvisation practice. Students gain access to the theoretical and music-historical basis for musical practice.

  • Technical and musical support, instrument/voice
  • Historical music practice based on source work
  • Development of one’s own artistic personality as a soloist and as part of an ensemble

Steckbrief

ECTS-Punkte
180
Abschluss
Bachelor of Arts FHNW in Musik, Studienrichtung Mittelalter-Renaissance instrumental / vokal
Studienbeginn
September
Dauer
6 semester
Studienmodus
Vollzeit
Unterrichtssprache
Deutsch
(
level B1 is required
)
Semestergebühr
750 CHF (CH) | 1000 CHF (EU/EFTA) | 1250 CHF (Not-EU/Not-EFTA)
Anmeldegebühr
200 CHF
Lernsetting
Präsenz
Auslandaufenthalt
nicht vorgesehen
Ort
Campus Musik-Akademie Basel / Provisorium Letzi

Zukunftsaussichten

What is a Lute, Gittern, Citole, Cetra, Cythara? Which medieval plectrum instruments can be learned and studied at the Schola?

Prof. Marc Lewon, Schola Cantorum Basiliensis, presents medieval plectrum instruments


Learning outcomes

The aim of this Bachelor degree programme is to develop the independent artistic personality of instrumentalists and singers with excellent musical and technical ability, both as soloists and ensemble performers. It also imparts specific knowledge of music theory and history pertinent to Early Music, which will equip students to make independent and well-founded decisions about performance practice and aesthetics. This artistic and intellectual autonomy is necessary in order to succeed in a market which is dominated less by traditional institutional employers and more by an interest in the creativity and persuasiveness of individual musicians.

Career prospects

As a rule, the Bachelor degree programme prepares students for continuing their education at graduate level (Master’s). However, the experience and skills acquired during this course of study are also transferable to other professions, such as musicology, music journalism, publishing, music management and instrument making.

This particular Bachelor degree programme does not have a teacher-training component. Students wishing to pursue a career as a music educator may apply for the special Master's degree programme in Music Pedagogy upon completion of the Bachelor's studies. Career opportunities for Medieval-Renaissance music specialists include performance work in concert, festival, and Early Music concert series settings. As expert ensemble musicians, holders of this BA are qualified to play with existing ensembles or establish their own ensemble. A number of graduates opt to pursue a career in academic research within their chosen field of specialisation, while others choose to share their experience and expertise in workshops and masterclasses.

Permanent employee positions are rare in this field.

Target audience

This SCB Bachelor degree programme is aimed at highly talented instrumentalists and vocalists wishing to acquire an undergraduate qualification in the study and practice of medieval and early Renaissance music. A separate track is offered for students wishing to specialise in music from the Late Renaissance through the Romantic periods (see course description: Bachelor degree with a Renaissance-Romantic specialisation).

Students should be highly qualified and prepared to dedicate themselves to a course of study and training in historical performance practice that meets the highest artistic standards. Prerequisites are: talent, high level of ability (voice/instrument) as well as potential for further artistic development, experience in Early Music and an interest in the historical foundations underpinning its practice.

Aufbau und Inhalte

History window: Music in the Middle Ages

Prof. Dr. Marc Lewon and Prof. Dr. Johannes Menke of Schola Cantorum Basiliensis as a guest on the podcast

The Schola Cantorum Basiliensis (SCB) offers a Bachelor of Arts in Early Music with a specialisation in the Medieval-Renaissance eras. As such, it is the only full-time undergraduate study programme of its kind in the world. The programme focuses on improving students’ mastery of medieval and early Renaissance instruments and vocal techniques, coupled with an in-depth study of Early Music repertoires and extensive exposure to historical improvisation practices. At the same time, students acquire an excellent foundation in music theory and history, which will in turn inform the development of their own musical practice.

Extensive ensemble-playing experience

Thanks to its exceptionally talented teaching staff and students, the Medieval Department of the SCB offers an array of opportunities for ensemble work. As a result, students are able to develop their artistic autonomy and gather valuable practical experience working with early source materials and notations.

In addition to singing, the Early Music Bachelor degree programme is offered for the following instruments:

  • Medieval plucked string instruments: plectrum lute, harp etc.
  • Medieval keyboard instruments: organetto, clavicytherium, clavicymbalum etc.
  • Medieval string instruments: vielle (da braccio and da gamba) etc.
  • Medieval wind instruments: recorder, traverso (transverse flute), shawm

Modules and Reglements

The BA and MA degree programs at the Basel Academy of Music are based on modules.

The legally binding structure provides an initial guide to the content and weighting of the subjects on the degree program.
The detailed content and modalities of the individual subjects can be found in the module descriptions.
The study regulations come into force together with the study and examination regulations of the Basel Academy of Music FHNW and form the legal framework.

Structure

Structure BA Early Music Medieval-Renaissance instrument/voice in German

Module descriptions

Below please find the link with all the information on the module descriptions of several FHNW universities.

  • At the top right, switch the language settings to English.
  • At the bottom right, filter by semester, Hochschule für Musik Basel FHNW, the desired degree programme or other criteria to display the relevant module information.
  • Use the PDF button at the top left to call up a document from each overview and save it for yourself.
  • Course registrations are made via the intranet.
Study Regulations

Study Course Regulation BA Early Music Medieval-Renaissance instrument/voice in German

Vertiefungen

Keine Vertiefungen

International

Leitung und Dozierende

Prof. Kelly Landerkin

Mitglied der Leitung SCB, Studiengangsleitung Bachelor und Master Mittelalter-Renaissance, Master Musikpädagogik

Mittelalter Abteilung

Dozierende der Schola Cantorum Basiliensis

Unsere international renommierten Dozierenden auf einen Blick

zu den Dozierenden

No items found.

Voraussetzungen, Zulassung, Eignungsabklärung

Admission

To be admitted to the Master’s programme, applicants must have passed the admission procedure. It breaks down as follows:

Admission shall be granted for the academic year to which the entrance exam applies to.

Language skills

We expect students to have good German language skills at the beginning of the studies. Students who are not German native speakers must present at least a B1 German language certificate (according to the Common European Framework of Reference for Languages (CEFR)) at the beginning of the studies.

More Admission Criteria

Applicants must satisfy the standard admission criteria to a FHNW Bachelor degree programme. In other words, they must hold one of the following qualifications:

  1. a federally recognised academic Swiss baccalaureate (Matura);
  2. a federally recognised specialised Swiss baccalaureate in music;
  3. a federal vocational baccalaureate;
  4. a diploma from another recognised upper-secondary general education provider;
  5. proof of an equivalent general education qualification from another education provider.

Exceptions may be made for applicants who do not have an upper-secondary qualification but demonstrate exceptional musical talent.

In order to be accepted for study, enough billable ECTS credit points must be available to fulfil all requirements of the diploma programme. For the bachelor's degree the minimum is 60 ECTS credit points. Applicants must declare any ECTS credits they have acquired from a previous course of study that they had failed to complete.

The admission procedure requires applicants to pass an aptitude test.

The admission procedure breaks down as follows:

  1. Verification that the applicant meets all formal admission criteria
  2. Admission to the aptitude test
  3. Aptitude test (entrance exam)
  4. Decision on admission.

Admission shall be granted for the academic year to which the aptitude test applies. This test may be retaken no more than once per degree programme/major, but no earlier than the next official aptitude test date.

Applicants who perform very well in the audition but who fail or barely pass the theoretical entrance examination (p. 54 “Aptitude Test”) may be admitted to the first year of the Bachelor programme, but will be required to meet a number of conditions during said academic year. Failure to do so will mean removal from the given degree programme.

Places on the degree programme are limited; a quota is set for first-year admissions. Based on the framework regulations governing student intake restrictions for Bachelor and Master’s degree programmes at the University of Applied Sciences and Arts (FHNW), the FHNW Academy of Music shall make its final selection based on the level and comparative ranking of the applicants’ examination results.
For further information on the admission criteria, please see the Study Course Regulation BA Early Music Medieval-Renaissance instrument/voice in German

Entrance exam

The aptitude tests take place on site in Basel.

Persons unable to take an on-site assessment for visa, financial or environmental (long distance travel) reasons may submit a request for an online entrance assessment (video presentation and live interview). This request must be sent to scb.hsm@fhnw.ch at the same time as the application (by 31 January), stating the reasons, and must then be approved by the management.

Please also refer to the document Eignungsabklärung.

Audition plus interview
Please prepare a programme of 15 to max. 20 minutes with pieces from at least three different stylistic fields. Use the repertoire samples as a guide. The programme must be submitted together with the list of works for the entrance exam on-site. The candidate may choose the first piece. Then, the jury will decide which works to play and is allowed to interrupt the audition at any time. Afterwards, there will be a short conversation about the study objectives and contents as well as the applicant’s prior education, experience and career goals, the preferred professor, etc.

The general section of the entrance exam (theory) takes place on the same day, usually before or after the on-site audition for the main subject (duration: 10 min.):

  • sing and identify intervals, tone sequences and simple chords.
  • sing and notate a simple tonal melody (e.g.: a tenor).
  • improvise a continuation to the dictated melody with your voice and, if possible, sing a simple contrapuntal counterpart to it.
  • answer questions about tonality and the function of the melody in the movement.
  • sight-sing a simple vocal part from modern notation (e.g. from a chanson).
Dates

Registration
You may apply from 15 December until 31 January.
The following documents must be handed in with your application:

On-site
The on-site auditions will take place between mid-March and mid-April. The exact dates may be seen here after the beginning of January.

Announcement of the results
The results will be communicated by email in the beginning of May.

Beratung und Info-Anlässe

No items found.

Kontakt

Keine Einträge gefunden.