MA Music Performance | instrument/voice

Hochschule für Musik Basel

Institut Klassik | The degree programme offers a sound artistic education for anyone who wants to pursue music as a form of expression and a vocation. The focus is on personal development and making music at the highest level.

  • Individual support: Main subject tuition with internationally renowned lecturers‍
  • Diverse stage practice: Numerous concerts on the university campus and in a wide variety of concert formats in the city of Basel – various musical constellations and contexts are complemented and enriched by projects and collaborations with professional partners from the region‍
  • Internationally networked: Guest lecturers open up new perspectives‍
  • Practical and reflective: Artistic work is practised here as a lively reflection of content and techniques, and lively exchange within the university community is specifically encouraged

Steckbrief

ECTS-Punkte
120
Abschluss
Master of Arts FHNW in Musikalischer Performance, Studienrichtung instrumental/vokal
Studienbeginn
September
Dauer
4 semesters
Studienmodus
Vollzeit
Unterrichtssprache
Deutsch
Englisch
(
)
Semestergebühr
750 CHF (CH) | 1000 CHF (EU/EFTA) | 1250 CHF (Not-EU/Not-EFTA)
Anmeldegebühr
200 CHF
Lernsetting
Präsenz
Auslandaufenthalt
möglich
individuell abzuklären
Ort
Campus Musik-Akademie Basel

Zukunftsaussichten

Learning outcomes

The FHNW Master of Arts in Musical Performance programme specifically prepares students for artistic careers in a wide variety of areas within the classical music industry. The focus is on developing personalities who, with their instrumental/vocal skills and artistic expressiveness, are not only able to compete internationally, but are also capable of helping to shape the music industry/market of the future.
Minors can broaden horizons and open doors as additional qualifications.

Career prospects

Graduates of the Master of Arts FHNW in Music Performance find employment on stage as soloists, chamber musicians or orchestral musicians. The professional field of musicians will often be a combination of the above-mentioned activities, depending on additional qualifications, also in connection with instrumental/vocal lessons or music teaching tasks.

Target audience

This study course is aimed at highly gifted instrumentalists/vocalists who already hold a Bachelor degree.

What orchestra, choir and large projects exist at the Basel Academy of Music?

Orchestra

The orchestra of the academy of music Basel is an important part of Music Performance and performs under the guidance of internationally renowned conductors such as Heinz Holliger, Ronald Zollman, Jonathan Nott, and Gábor Takács-Nagy, primarily large-scale repertoire works from the 19th and 20th centuries, often also in collaboration with the music academies in Lucerne, Geneva and Zurich.

Works performed included:
Franz Schubert: Messe in Es-Dur für Chor, Soli und Orchester, D 950
György Ligeti: Atmosphères
Richard Wagner: Vorspiel zum 1. Akt der Oper Lohengrin
Gustav Mahler: Sinfonie Nr. 4 G-Dur für Sopran und Orchester
Arthur Honnegger: Le Roi David für Soli, Chor, Blaser und grosses Schlagwerk
Gustav Mahler: Sinfonie Nr. 1 (Der Titan)
Richard Strauss: Suite aus der Oper Der Rosenkavalier
Johannes Brahms: Ein deutsches Requiem für Soli, Chor und Orchester op. 45



Chamber Academy

The Chamber Academy Basel, the chamber orchestra of the Basel Academy of Music, performs without a conductor under the direction of the concertmaster, playing solo concertos and orchestral works from the Baroque period to the 20th century, often with professors from the academy as soloists.


Chamber choir

The chamber choir is considered the concert choir of the Basel Academy of Music FHNW. In addition to demanding a cappella vocal music, the chamber choir, conducted by Martin Wettges, also performs works with orchestra. Those who sing in the chamber choir are exempt from participating in the ‘large choir’. Chamber choir can also be taken as an elective subject. Participants must pass an entrance exam. Most of them receive voice training or attend lessons with singing teachers. The choir conducting class is also involved, leading sectional and full rehearsals.

Works performed included:
Franz Schubert (1797–1828): Messe in Es-Dur für Chor, Soli und Orchester, D 950
Heinrich Schütz jubiliert – Glückwünsche aus dem Jenseits mit Musik von Giovanni Gabrieli, Claudio Monteverdi, Johann Hermann Schein, Johann Sebastian Bach, Felix Mendelssohn Bartholdy, Johannes Brahms, Hugo Distler, Knut Nystedt und Heinrich Schütz



Large Choir

All first- and second-year Bachelor's students sing in the large choir of the Basel Academy of Music FHNW. The focus is on discovering one's own voice, targeted voice training and a general introduction to choir singing and the a cappella vocal repertoire. One concert is held per semester. In addition to Martin Wettges, guest conductors also regularly lead this choir.

Final concerts

The final concerts offer students of all study courses at the Basel Academy of Music a unique opportunity to perform publicly as a soloist on the main stage, accompanied by the Sinfonieorchester Basel or the Kammerorchester Basel.
The selection process takes place within the framework of an internal university competition.


Opera project “The Cunning Little Vixen” by Leoš Janáček

Aufbau und Inhalte

The internationally oriented two-year degree programme focuses on the practical examination of interpretational and instrumental/vocal issues. Students deepen their knowledge and skills from the bachelor's programme with a view to concert work and the ability to find their own ways of interpretation and convincingly implement these on the concert platform. They are accompanied by experienced lecturers.
The main subject lessons are the most important part of the programme in terms of quality and the necessary preparation and follow-up time. Chamber music, ensemble and orchestral playing as well as a reflective level (theory/analysis) form another important part of the programme. In addition to the elective subjects, optional minors allow students to focus on their own personal specialisations.

Modules and Reglements

The BA and MA degree programs at the Basel Academy of Music are based on modules.

The legally binding structure provides an initial guide to the content and weighting of the subjects on the degree program.
The detailed content and modalities of the individual subjects can be found in the module descriptions.
The study regulations come into force together with the study and examination regulations of the Basel Academy of Music FHNW and form the legal framework.

Structure

Majors: everything DESPITE Singing, Piano, Organ, Percussion, Trumpet
Structure MA P Klassik instrument/voice Major everything despite the following in German

Major: Singing
Structure MA P Klassik instrument/voice Major: Singing in German

Major: Piano
Structure MA P Klassik instrument/voice Major: Piano in German

Major: Organ
Structure MA P Klassik instrument/voice Major: Organ in German

Major: Percussion
Structure MA P Klassik instrument/voice Major: Percussion in German

Major: Trumpet
Structure MA P Klassik instrument/voice Major: Trumpet in German

Minors Institut Klassik
Overview Minors Institut Klassik

Module descriptions

Below please find the link with all the information on the module descriptions of several FHNW universities.

  • At the top right, switch the language settings to English.
  • At the bottom right, filter by semester, Hochschule für Musik Basel FHNW, the desired degree programme or other criteria to display the relevant module information.
  • Use the PDF button at the top left to call up a document from each overview and save it for yourself.
  • Course registrations are made via the intranet.
Study Regulations

Study Regulations MA Music Performance

Vertiefungen

Keine Vertiefungen

International

Leitung und Dozierende

Prof. Imke Frank

Leiterin MA Musikalische Performance instrumental/vokal und Spezialisierte Musikalische Performance Solistin/Solist

Teaching Staff

Unsere international renommierten Dozierenden auf einen Blick.

Dozierende Klassik

Gastprofessuren und Meisterkurse

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Voraussetzungen, Zulassung, Eignungsabklärung

Admission criteria

In order to enter the FHNW Master of Arts in Musical Performance programme with an instrumental or vocal major, applicants must be awarded a Bachelor in Music/Music and Movement or equivalent as well as they must have passed the entrance exam and were offered a free place at the Academy (limited places). Applicants who have submitted all the necessary registration documents in time and have passed the first round of the entrance exam will be invited to play a live audition. For further information on the admission criteria, please see the Study regulation of the Master of Arts FHNW in Music Performance.

Required skills

  • Prospective students should have a sufficiently advanced manual/technical mastery of the instrument/voice that no longer requires them to work on acquiring practical and theoretical foundations, thereby enabling them to concentrate fully on the artistic, stylistic and performance-related aspects of playing music.
  • Prospective students should have a sufficiently firm grasp of the different styles within the basic repertoire that they are able to concentrate on consolidating and expanding their knowledge of instrumental/vocal styles in order to achieve the standard necessary for a professional qualification and for professional performance.
  • Prospective students must demonstrate a strong desire to express themselves musically and to develop and actively pursue their own performance-related ideas. They must also be able to convincingly inform and communicate through the medium of music.

Students are expected to have a high degree of autonomy and self-awareness (healthy self-esteem), and to be broadly familiar with certain areas beyond their particular specialisation   that could be beneficial to their career as a professional musician.

Admission criteria for internal Bachelor applicants
Internal Bachelor candidates absolve the entrance exam within their Bachelor qualification which they need to graduate with at least the grade 5.5. Further requirements are:
- Having passed the Master preparation course
- The jury must unanimously recommend that the student continues in the Master study course
- The consent of the Major professor

Language Skills

We recommend having sufficient German language skills.

Entrance exam

The entrance exams is split into the first round, which is held “by video”, and the second one, which is a live audition.

Procedure
First round: Video recordings

Applicants must submit a video when registering.

Video requirements
Repertoire requirements
The single works/movements submitted must indispensably be recorded without any cuts. If applicants submit one straight video with the whole programme, the applicant must set marks after every work/movement so that it is possible for the jury to purposely skip within the video.
Microphone: We recommend using a suitable stereo microphone and place it conveniently. If necessary, you may also use the microphone of a camera, computer, or smartphone. Please record the video from a fixed point of view. The hands and the face of the musician must be visible. Publicly recorded concerts may be submitted as long as they correspond to the above-mentioned requirements (no cuts) and as long as they are not older than 6 months.
Please upload the video onto YouTube and add the link in the registration tool.
Please add the worklist to your application or send it by mail to registration.hsm@fhnw.ch until 15th February at the latest.
Only those applicants who will be considered for the second round will be invited for the live audition.

Second round: Live audition
Repertoire requirements
The choice of the programme may be identical as the one of the video. However, changes of the programme for the live audition can only be made until 14 days prior to the audition date.
The candidate may choose the first piece. Then, the jury will decide which works to play and is allowed to interrupt the audition at any time. Afterwards, there will be a short conversation about the goals of the studies and the study course content as well as the applicant´s prior education, experience, the choice of the professor, etc.

Dates

Registration
You may apply between 15th December and 1st March. Along with the registration, it is mandatory to submit the following documents: A curriculum vitae, a motivational letter, the school leaving qualification, the Bachelor Diploma. In case that the applicant already holds a Master Diploma, we also need a copy of that.

On-Site
The live auditions will take place at the end of April. The exact dates may be seen here.

Announcement of the results
The results of the first round will be communicated by mail at the end of March.
The results of the second round will be communicated by mail at the beginning of May.

Organisatorisches

Projects / Ensembles

At Hochschule für Musik Basel, students have the opportunity to participate in various project and ensemble programmes.
To the overview of the recurring offers.

Quicklinks

Files and Regulations

Beratung und Info-Anlässe

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Kontakt

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